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Susan
Todd

Andrew
Young

On
location in Sicily
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At
Archipelago Films, we craft artistic, thought provoking, cutting-edge
documentary films for television and theatrical presentation. We specialize
in filming both people and nature, using innovative cinematography
techniques for an exciting visual style. Our films have received Emmy
Awards, an Academy Award nomination and top prizes at the Sundance
Film Festival.
Archipelago
was created in 1989 by directors Andrew Young and Susan Todd. Their
studio is located about 50 miles north of New York City, in Croton-on-Hudson,
NY, however they're just as likely to be traveling as at home. Andy
and Susan first met while students at Harvard University. Two years
later they collaborated on a film in Panama (The
Spirit of Kuna Yala) and discovered that they shared a similar
esthetic of filmmaking. They've been a creative team ever since.
Andy
brings a strong background in animal behavior and wildlife photography
to his work. He has a Master's Degree from Yale University in physical
anthropology. He is the company's principal director of photography.
Susan
studied filmmaking at Harvard and has a Master's Degree in Journalism
from Columbia. She is the principal sound recordist at Archipelago
and handles much of the research and producing work when the team
is making a film about people.
Our approach to filmmaking
Good
filmmaking is about good storytelling. Whether we're telling a story
about people or wildlife, we strive to develop strong characters,
create a dramatic structure and visualize it with a cinematic style.
We want the audience to feel and experience what's happening, rather
than simply being told by a narrator. We try to put our camera in
the middle of exciting situations, be it the intensity of dating
violence (It Ain't Love) or the colorful
mating rituals of Madagascar chameleons (Madagascar:
a world apart).
In
large part, making scenes come to life depends on creative camera
work. Andy shoots primarily in film (Super 16mm & 35mm) and
is always inventing new camera techniques to get unique shots. In
Madagascar, Alaska and Congo, we used rope-cams, probe lenses, dollies,
jib arms, lipstick cam, glidecam, aerials and time-lapse to show
the audience the wildlife and landscape in a way it has never been
seen before. When filming people, Andy puts the audience deep inside
the story with an intimate hand-held style. His camera work has
earned him he Award for Excellence in Cinematography at the Sundance
Film Festival three times.
When
making a film about people and social issues, we thoroughly research
the topic and then set out to find strong characters. We work to
create a feeling of intimacy with people by using a small crew --
Andy, Susan and a camera assistant. We think of our filming as a
collaboration with our subjects, since they are sharing their own
life stories with us. Often these experiences are the beginning
of lasting relationships. It is one of the most satisfying parts
of our work.

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